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Bebop Spoken There

Peter Vacher: “The Hopbine [public house] is a Tesco Express now, having been reinvented successively as Desi Dons, Bootsy Brogans, the Dog and Duck and, before that, the Chequered Flag.” – (Jazzwise October 2017)

Kyle Eastwood: “Naturally I listened to pop music when I was a kid – I’d spend two hours a day hearing it on the school bus! – but the very first music I heard in the house and the first concerts I went to were jazz.” – (Jazzwise October 2017)

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Today Monday October 23

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Evening.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, February 08, 2014

Natalie Williams @ Hoochie Coochie + CD Review: Natalie Williams - Where You Are

Natalie Williams (vcl); Phil Peskett (keys); Al Cherry (gtr); Robin Mullarkey (bs. gtr/uke bs); Troy Miller (dms).
(Review by Lance)
Last time I heard Ms. Williams was on a Thursday afternoon in London's Cadogan Hall where Natalie laid a couple of hours of delightful GASbook upon us.
Friday night at Hoochie Coochie is more than mere miles away from a Thursday afternoon at Cadogan! It's a different planet! Maybe somewhere around Jupiter way.
Instead of suave sophistication, we got a raunchy, no holds barred, performance that merged soul, jazz, funk and rock into a sizzling inferno of sound.
The lady has the most incredible vocal chops with a range that reaches stratospheric heights without loss of intonation or emotion.
Amazingly, many of the numbers sung at the gig were (perhaps not so amazingly) from her latest CD and several had strong family connections. The title track, for example, related to words of wisdom she got as a child from her grandmother and Immortal is adapted by the singer from a lyric written by her father, award nominated poet John Hartley Williams.
As well as her original compositions written in conjunction with (mainly) Tom Cawley and Peskett there are pieces by Paul Simon and John Lennon.
At the gig, a histrionic version of Love For Sale surely had Cole Porter turning in his grave - maybe this was indeed written by a "Coal Porter"! By contrast, on the disc but not on the night, is the most exquisite version of A Garden in the Rain you'll ever hear this side of the Savoy Hotel circa 1930. If Carroll Gibbons was turning in his grave it was in appreciation of such a perfect rendition.
The Hoochie girls danced from the start and by the finish, my inhibitions loosened by bottles of London Pride saw me too shaking an arthritic leg.
With a band like this the dead would be dancing! Troy Miller socked it to them with an impressive solo as well as gooseing the rest along. Peskett and Cherry were always on the money and there was some malarkey from Mullarkey with a bass ukulele!
If you were at the gig you'll want the CD. If you've got the CD you'll wish you were at the gig!
Lance.

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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