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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, February 25, 2014

Expect the Unexpected – Jam Session @ Salsa Cafe, Sunday February 23

Stuart Mckie (Guitar); Paul Grainger (bass); Michael Howard (Drums)
(Review Ann Alex)
You never quite know what will happen at jam sessions, do you? It was a quiet start with the players as above and only myself to clap alone as audience, but by the end of the session we’d had an extra drummer (Jeff Armstrong); Chris Finch (keyboard) who brought a friend, Jessica, with him to help as a sort of roadie; Ray Burns with his voice and guitar but minus mouth organ; and to cap it all, a flamenco Guitarist who remained Anonymous. Plus, as usual, people enjoying meals and a couple of extra jazz fans.  I wonder where all the sax players were?
I had entered at 3.30pm as the trio were playing a more than competent version of Autumn Leaves.  The good thing about intimate sessions like this is that you can listen to the musicians discussing how to arrange their playing, always interesting.  The band continued with standards such as The Way You Look Tonight; A Foggy Day In London Town; Georgia On My Mind; encouraging each other with plenty of solos.  Enter Chris with the keyboard and a tune I didn’t recognise, then I found myself treating (is that the right word?) the audience to a song, All Of Me. A change of drummers, and Ray Burns sang about how he intends to marry Sweet Lorraine. A very pleasing voice, highish and passionate, and without a microphone as well.  All The Things You Are with a bass solo well worth a listen, and 4’s traded between piano and drums.  After the break, up steps the anonymous guitarist, taking centre stage with a long flamenco piece with Michael on drums and myself beating and clapping out the rhythms.  I didn't know I could do this until I did it!  The guitar then managed to lay down a Spanish riff which everyone could join in with.  Back to jazz, with Smile; How Deep Is The Ocean; Bye Bye Blackbird from yours truly, a couple of standards, and we all made our way home, musically satisfied until next week.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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