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Bebop Spoken There

Howard Riley: “When I started out playing jazz back in the late 50s, early 60s, if you wanted a gig you had to learn some standards.” – (Jazz Journal April 2017)

Eric Harland: “I love swing and I’m always going to swing but I also know that you can take a hip-hop groove and improvise with that just like you would with a swing pattern.” – (Jazz Journal April 2017)

Today Thursday April 27

Afternoon
Vieux Carré Jazzmen - The Holystone, Whitley Rd., Holystone, Newcastle (ish) NE27 0DA. 1pm. Free.
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Evening.
Maine St. Jazzmen - Potters Wheel, Sunniside, Gateshead NE16 5EE. 8:30pm. 0191 4888068
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Dave Weisser & Alan Law - The Globe, 11 Railway St., Newcastle NE4 7AD. 8pm. £5. (Students free).
BABMUS Presents - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £3 (£2 students).
Strictly Smokin' Big Band - The Millstone, Haddrick's Mill Rd., South Gosforth, Newcastle NE3 3DB. Free. 7pm. Open rehearsal.
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Emma Fisk's Hot Club du Nord - Lubetkin Theatre, East Durham College, Willerby Grove, Peterlee SR8 2RR.7pm. £8. 07425 145549.
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Paul Skerritt Band - The Pennyweight, Bakehouse Hill, Darlington DL1 5QA. 9pm. Free. 01325 468411.
Jazz Workshop w. Matt Roberts - Art Gallery, Crown St., Darlington DL1 1ND. 6pm. £5. Registration required. Part of Darlington Jazz Festival.
Richie Emmerson Quartet w Richie (tenor); Ted Pearce (keys); Alan Smith (bass) + drums tba - Dorman's, Oxford Rd., Middlesbrough. 9pm. Free.
New Orleans Preservation Jazz Band - The Oxbridge, Oxbridge Lane, Stockton on Tees. 8:30pm.
Pocket Jazz Orchestra + Noel Dennis (trumpet) - The Ship, Church Lane, Redmarshall, Stockton TS21 1EP. Free. 8pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 07, 2013

CD Review: Mike Gibbs + Twelve Play Gil Evans

Mike Gibbs (composer, arranger & conductor), Finn Peters (alto saxophone & flute), Julian Siegel (tenor & soprano saxophones, bass clarinet), Lluis Mather (tenor & soprano saxophones, clarinet), Percy Pursglove (trumpet & flugelhorn), Robbie Robson (trumpet & flugelhorn), Joe Auckland (trumpet & flugelhorn), Mark Nightingale (trombone), Sarah Williams (bass trombone & tuba), Jim Rattigan (French horn), Hans Koller (piano), Michael Janisch (double bass) & Jeff Williams (drums)
(Review by Russell)
Mike Gibbs’ new CD commemorates the centenary of the birth of arranger/composer Gil Evans. The project, instigated by Gibbs and pianist Hans Koller, secured enthusiastic support from musician and Whirlwind Recordings label boss Michael Janisch.
Twelve of the finest musicians working on the British jazz scene were recruited to play a couple of gigs in London and then go into the studio for a day to document Gibbs’ labour of love. Ten tracks comprising of arrangements by Evans and Gibbs illustrate the fine art of the composer/arranger. Arrangements for the ensemble are typical Gil Evans; layered brass, a spotlight for the soloist (brass or reeds). Gibbs’ arrangements complement the American master’s approach, producing a cohesive narrative to Play Gil Evans.
The opening Bilbao Song (comp. Kurt Weill/arr. Evans) is a down beat affair. Evans’ Las Vegas Tango struts the boards, lifting the mood with magnificent solo contributions from Mark Nightingale (trombone) and Julian Siegel (tenor) framed by biting section work from the trumpets of Percy Pursglove, Robbie Robson and Joe Auckland.
Gibbs’ arrangement of Carla Bley’s distinctive Ida Lupino, re-points the tune, mindful to retain its allure. The rhythm section comes into its own on Sister Sadie (arr. Evans). A witty re-working of the Horace Silver standard swings effortlessly in the capable hands of Koller, bassist Janisch and ace American drummer Jeff Williams. Ornette Coleman’s Ramblin’ (arr. Gibbs) reminds the listener of the composer’s mainstream jazz roots and Gibbs’ arrangement underscores the tunes’ blues undercurrent heard to great effect in Finn Peters’ alto work. Evans’ playful arrangement of St Louis Blues features more from Peters, Janisch excels, as does the ensemble marshalled by the consistently excellent Williams. Evans’ treatment of Rodgers and Hart’s Wait till You See Her closes the CD in much the same way as the opening track - on a satisfying down beat note.
Mike Gibbs + Twelve will launch the album at Kings Place, London in October at the inaugural Whirlwind Recordings Festival. Play Gil Evans, engineered and edited by Alex Bonney and produced by Gibbs, Koller, Janisch and Bonney, is released August 12 on Whirlwind Recordings WR4639.                           

Russell.   

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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