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Bebop Spoken There

Peter Vacher: “The Hopbine [public house] is a Tesco Express now, having been reinvented successively as Desi Dons, Bootsy Brogans, the Dog and Duck and, before that, the Chequered Flag.” – (Jazzwise October 2017)

Kyle Eastwood: “Naturally I listened to pop music when I was a kid – I’d spend two hours a day hearing it on the school bus! – but the very first music I heard in the house and the first concerts I went to were jazz.” – (Jazzwise October 2017)

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Today Monday October 23

Afternoon.
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
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Classic Swing - Marquis of Granby, Streetgate, Sunniside NE16 5ES. 0191 4880954. 1pm. Free. Bob Wade (trumpet); Olive Rudd (vocal) and other familiar faces.
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Evening.

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 29, 2013

Otriad @ Bridge Hotel, Newcastle. May 26 , 2013

Alex Roth (guitar & effects), Joe Wright (tenor saxophone & electronics), Nick Roth (alto saxophone), James Opstad (electric bass) & Simon Roth (drums)
(Review by Russell)
Firebrick, the recently established micro brewery in Blaydon vied for attention on the bar at the Bridge Hotel. A good start to another Splinter at the Bridge Sunday night session! The upstairs room sparsely populated, guitarist and band leader Alex Roth took to the stage with tenor player Joe Wright (earlier pre-occupied setting-up his Apple Mac) and for the next half hour or so the duo painstakingly created a pastoral electro-acoustic soundscape, dissolving, fading, resolved. 
Roth's command of his Gibson was obvious yet he steadfastly refused to play. That is to say he didn't grandstand, not yet. To end the first set Roth's alto-playing brother Nick belatedly joined the band and we got, as they say, something completely different. Nick had something to say, something to get off his chest. Did he blow? You bet! The second set promised much.
Down at the bar things were looking up. The George N Porter Brewery (Whitley Bay) had dropped-off a barrel of Horn. Yep, a beer for the jazz-loving beer drinker (the pump clip sported a composite image of your favourite tenor player). How could one resist? Meanwhile Bebop Spoken Here contributor JC arrived. Any good? he enquired of the band. Hmmm was the reply. We were wanting more. 
We got more, numerically, as the fully-fledged band, the quintet, played the second set. Family Roth produce musicians. The drum chair belonged to Simon Roth. Lovely old kit, north east drummers should have been there, they would surely have drooled over it (hopefully not literally). And Simon could play. So many fabulous drummers. Get to the Bridge - they turn up every other week! Five string electric bassist James Opstad kept things simple or rather made it look deceptively so.
The second set took the form of a suite - the Bielski Suite - written by the band leader, taking as its inspiration the story of the heroic Bielski partisans - the Bielski Otriad - during WWII in occupied Poland. This was the stuff! Cracking playing from all concerned. Tenor and alto horns in unison, then solo. Guitarist Alex let fly. A brilliant technician, a contemporary stylist , fluent ideas, catch this guy next time he's around. Hey JC, this was a contender for this week's Gig of the Year!   
Russell.       

1 comment :

  1. As I am only too happy to acknowledge that Russell has more extensive knowledge about jazz in his little finger than I have managed to garner over an intermittent career as a fan (so I do hope this wasn't the digit injured in the recent 'incident') I am always interested in his view of what's happening at a gig. Therefore a Hmmmm as an interim review at half time in this gig was a significant pointer, if a little unspecific. However another attendee I met outside the Bridge as I arrived was a bit more enthusiastic, 'Yeah, good, man' he said.
    So as I took my seat for the second half with my fairly ordinary pint of Deuchars, my heart sank a bit when the band leader said the second set was going to consist of one continuous piece only.
    However, this did not last long as I was instantly intrigued by the story behind the Bielski Suite and as Russell says, this was the business. Great playing and continually engaging music, so much so that I never got to get a second pint as I was not wanting to miss anything.
    So double Hmmmm, definitely last week's Gig of the Year!
    JC

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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