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Bebop Spoken There

Victor Feldman: "The teacher said he couldn't teach me anymore. That was when I was seven." - Downbeat June 8, 1961.

Annie Ross: “I didn’t know until Ira Gitler told me that Dave [Lambert] recorded an album where he would scat and then leave the room for whoever was listening to the record to scat the next eight bars, a sort of ‘Scatting Minus One’.” Downbeat September 1999.

Today Monday January 22

Afternoon.

Jazz in the Afternoon - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, May 15, 2013

CD Review: World Behind Your Eyes: Lynn Jolicoeur And The Pulse


Lynn Jolicouer (vocals); Mike Natsis (guitar); Steve Travis (piano); Warren Olsen (bass); Jean-Marie Corrois (drums); also Bill Vint (tenor sax on 2 tracks)
(Review by Ann Alex)
Boston based Jolicoeur, has traced an interesting career path,  worked as a TV journalist, done all kinds of singing, including pop, choral and jazz, as well as playing piano.  The Pulse, formed in 2008, have performed at many jazz and arts festivals.  This is their debut album.
The voice is rich and warm, the musicians are well competent, and the album comprises four numbers composed by Steve Travis, one by Jolicoeur and seven other arrangements of songs from a wide range of writers, including Sting, (Every Little Thing He Does Is Magic); Corinne Bailey Rae (Like A Star); Chick Corea (Open Your Eyes, You Can Fly); and Truman Capote (A Sleepin’ Bee).
I preferred the songs which were done as jazz arrangements.  For instance, the Chick Corea track has a skilful guitar solo, lively chops from the piano and jazzy swaps between piano and drums. In The Wee Small Hours Of The Morning is played as it should be, with sleepy sax and lazy-sounding piano, light drums, and the voice with just the right amount of poignancy.  Travis’s Out Of My Comfort Zone comes over quite boppish, with the voice repeating a rather angular riff, and adventurous instrumentation.  Some tracks were less suited to my taste but this is purely subjective.  On one or two of the more rock-orientated tracks I thought the lyrics and tune were a bit predictable, with not enough ‘hooks’ to make the words memorable, .  That said, the CD as a whole is enjoyable, with lots of short solos from the musicians, and effective call and response between singer and musicians.
World Behind Your Eyes: Lynn Jolicoeur And The Pulse is Self-Released in mid May.
Ann Alex

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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