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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, May 12, 2013

CD Review: Tatterdemalion Rachel Musson/Mark Sanders/Liam Noble


Rachel Musson (tenor & soprano saxophones), Mark Sanders (drums) & Liam Noble (keyboards)
(Review by Russell)
Tatterdemalion is a 2012 recording on the Babel Label. North East audiences are familiar with the work of free jazz drummer Mark Sanders (a frequent visitor to Tyneside) and pianist Liam Noble turns-up in a variety of contexts, most recently with Christine Tobin at the Gateshead International Jazz Festival. Schmazz regulars heard Rachel Musson at the Cluny some time ago and this CD release confirms her arrival on the improv scene. 
Seven tracks - the titles suggest a thematic structure (May Be a Silken Thread, Wheel, Spinning, The Blanket Feels Woolen) - link together musically; Noble’s electronic manipulations a welcome surprise, Sanders’ percussion battery alert to the adventures of keyboards and reeds, Musson’s braying tenor, Musson’s upper register filigree. Foghorn tenor opens the recording on May Be a Silken Thread inviting Noble to tamper with the voltage. Wheel features Musson in free-wheeling form with Sander’s signature sound ( the shredding of bells!) ringing-out. The Blue Man sees Musson switch to soprano as Sanders delves into his tool box, unearthing more bells, chains and wood blocks. On My Road casts Noble as manic manipulator, frantically shifting ground, failing to shake-off Musson’s taut, sustained upper register tenor assault. Spinning hears-out Musson’s protesting, disorientated saxophone, lost in a MC Esher echo chamber. The Blanket Feels Woolen is a quiet affair; Gamelan delicacy, breathy tenor, polite enquiry. The closing number - You Wear Your Colours and Move - is in stark contrast to the tumultuous opening tracks with its taut tenor slow movement. Tatterdemalion is available on Babel (BDV13115).              
Russell.               

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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