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Bebop Spoken There

Newcastle Evening Chronicle (1930): "...questioning, incidentally, the right of either [saxophone or bagpipes] to be looked upon as a musical instrument instead of as one of torture." - (Melody Maker June 1930). From Colin Aitchison's amazing collection).

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Joel Harrison: “It’s incredibly hard to play bebop on guitar, harder than on saxophone.” – (Jazz Times August 2015)

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Archives.

Today Wednesday August 5

Afternoon
Vieux Carre Jazzmen
- Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Jazz Esquires - Magnesia Bank, Camden St., North Shields NE30 1NH. 1pm. Free.
Maine Street Jazzmen - Tynemouth Station. 1pm. Free.
Evening.
Zoe Gilby Quartet - The Elephant, Newbiggin Rd., Ashington. 8pm. £5. Final session at Ashington Jazz Club. RIP.
Take it to the Bridge Jazz Workshop - The Chillingham, Chillingham Rd., Heaton. 8:30pm. £1.
Dave Rae’s Levee Ramblers - Springwell Village Hall, Fell Rd., Gateshead NE9 7RP. 0191 4162630. 9pm. £2.
Jeremy McMurray Trio (w. Peter Ayton & James Birkett) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 0191 2399924. 7.00pm.
Tees Hot Club - Cleveland Bay, Eaglescliffe. 9pm.
Jason Isaacs + Martin Stephensom + Ray Harris - Newton by the Sea, Northumberland. Details.

Monday, February 18, 2013

Robert Mitchell & Corey Mwamba @ Lit & Phil. February 13

The Lit and Phil’s latest concert featured the brilliant Robert Mitchell (piano) and Corey Mwamba (vibes). 
(Review by Russell)
Leicester’s Corey Mwamba has become a familiar face thanks to Jazz North East booking him to work in a variety of contexts including Alexander Hawkins, Ntshuks Bonga and Andy Champion. On this occasion he played a solo set featuring a selection of modern jazz standards and one or two original compositions. Extended techniques (bow, body and breath) and audible exhalation held the audience spellbound. Herbie Hancock’s One Finger Snap, Monk’s Evidence, Mack the Knife and Mwamba’s Then She Looked were stand-out tunes delivered with intensity by the amiable vibes man. 
Robert Mitchell has appeared on Tyneside with his own ensemble Panacea, in trio format and memorably with Chicagoan alto saxophonist Matana Roberts. This Lit and Phil date offered a new challenge - compose for and perform left hand only! There is a CD documenting the project - The Glimpse - and this Newcastle date was mid-tour thus the virtuoso was in the groove from the start. Prior to his performance Mitchell warmed-up for well over an hour and declared the library’s Kawai piano a superior instrument. A feather in the Lit and Phil’s cap! In the event the set comprised left hand only pieces (The Glimpse and The Sage were two highlights of many) and tunes for the more conventional two handed form. 
By way of an encore Corey Mwamba joined Mitchell to play a couple of tunes, notably Cumulus. Jazz North East’s next promotion sees the return of tenor saxophonist Simon Spillett working once more with the Paul Edis Sextet at the Corner House Hotel. Anyone who heard Spillett last time will know they are in for a treat. Those who have yet to hear him will scarcely believe their ears. Clear your diary…Thursday February 28 is the date. Don’t miss this one.
Russell              

2 comments :

  1. Hello! Many thanks for the kind words - but I'm from Derby. All the best, C.

    ReplyDelete
  2. Hey Corey, I know you're from Derby. Sorry!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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