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Bebop Spoken There

Benny Green [the British one]: "George Webb is no more qualified to pass judgement on bop than I am to offer opinions on Einstein's Theory of Relativity." - (Melody Maker July 30. 1949, From Colin Aitchison's amazing collection).
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Lou Donaldson: “Ornette told me one time, he said, ‘Lou, you need to play some of this free music.’ I said, ‘Uh-uh, I don’t do that. I like to get paid.’” – (Jazz Times June 2015).

Today Monday June 29

Afternoon.
JAZZ IN THE AFTERNOON - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Classic Jazz, Raffles and a jolly afternoon.
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Evening.
EAR TRAINING & IMPROVISATION - Lit & Phil, 23 Westgate Rd, Newcastle NE1 1SE. 7pm. Free.
A Paul Edis workshop.
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HORNS TOGETHER - The Globe, 11 Railway St., Newcastle NE4 7AD. 7pm. £15.
Another Globe educational initiative.

Sunday, February 10, 2013

CD Review: Joe Lovano UsFive - Cross Culture.

Joe Lovano (tenor, G mezzo Sop., tarogato, aulochrome + various ethnic instruments); Lionel Louke (gtr); James Weidman (pno); Esperanza Spalding/Peter Slavov (bs); Otis Brown III, Francisco Mela (dms).
(Review by Lance.)
This Blue Note release is a living endorsement of the labels motto The finest in jazz since 1939. This has all the elements of those classic '50s sessions by Mobley, Blakey, Turrentine, Byrd and co. albeit in a more contemporary vein.
Ten originals by Lovano and a sumptuous reading of Strayhorn's Star Crossed Lovers (Romeo and Juliet) - Such Sweet Thunder indeed. 
As well as tenor, Lovano plays G mezzo soprano which I take to be a minor 3rd below the normal Bb sop? Correct me if I'm wrong. It seems to have a mellower sound than the the normal sop., tarogato and aulochrome. This latter instrument is fascinating. It comprises two sopranos joined together with two mouthpieces but a single fingering system which operates both sets of keys - imagine if Roland Kirk had got hold of one of these!
However, it is on Royal Roost, where Joe Lovano blows contemporary bop tenor, that he delivers the killer blow.
It could be said that Lovano, Redman and Rollins are the last of the tenor titans. For me, Lovano's wonderful dry sound edges it.
Not that this is just about the saxman - how could it be with Lionel Loueke on guitar? The West African slots in nicely as part front-line/part rhythm section and super soloist.
Weidman on piano is excellent and the two drummers play as one. Because the liner notes are indecipherable (dull yellow on black) to any one whose vision is less than 20:20, I'm unable to say which bassist plays on which tracks although I did manage to pick up that Spalding plays on four and with Slavov on one.
That apart, a terrific CD that is currently my front runner.
Joe Lovano UsFive - Cross Culture is released by Blue Note on February 25.
Lance.

1 comment :

  1. Spalding - tracks 1,5,8,10
    Slavov - tracks 2,3,4,8,9,11

    ReplyDelete

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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