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Bebop Spoken There

Johnny Dankworth: "[on British Trad] If you want to get ahead get a hat." - (Melody Maker July 23, 1960). From Colin Aitchison's amazing collection).

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Acker Bilk: “What's wrong with a bowler? My bank manager wears one!” (Melody Maker October 10, 1960). From Colin Aitchison's amazing collection).

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Archives.

Today Saturday August 1

Afternoon.
Play Jazz! Summer School - The Globe, 11 Railway St., Newcastle NE4 7AD. 9.30am. Two day event. email: learning@jazz.coop.
Maine Street Jazzmen - Darlington New Orleans Jazz Club - St. Augustine's, Larchfield St.., Darlington DL3 7TG. 12.30pm. £10.
Evening.
Pete Tanton/Mark Williams Quartet - Jam Session - The Globe, 11 Railway St., NE4 7AD. 7.30pm (For 8pm). £5.
Ruth Lambert/Giles Strong - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.
Belinda Voshtina/James Harrison - Redwood Bar, Vermont Hotel, Castle Garth, Newcastle NE1 1RQ 7pm. Free.
Steve Glendinning (Solo guitar) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 0191 2399924. 7.00pm.
Rendezvous Jazz - Sandpiper, Cullercoats. 8.30pm £3.

Monday, October 22, 2012

Graeme Wilson Quartet @ The Central Bar, Gateshead. October 21


Graeme Wilson (tenor & baritone saxophones), Paul Edis (keyboards), Andy Champion (double bass) & Adam Sinclair (drums)
(Review by Russell - photos courtesy of Graeme Wilson and Cath.)
The Head of Steam’s Central Bar on Half Moon Lane in Gateshead stepped into the breach when Splinter’s regular session at the Bridge Hotel was inadvertently double booked. 
The new quartet was ready to go with a set list of Wilson’s tunes ranging  from established pieces to new charts. 

Wilson opened the set with a tune familiar to the Tyneside audience; Street of Furs featured in the pad of the now disbanded Voice of the North Jazz Orchestra and it worked well in this small group format. Pontoon formed part of a commission from the Harbour Association of Mull (I wonder…was it released on CD?) and bassist Andy Champion grabbed the first of several solo opportunities. 
Searchlight Nevada spun a tale of John Coltrane going missing in the desert; Wilson’s quartet didn't hide, they dug deep and found Coltrane. Trane was there all along at the core of the music. 
Offissa Pupp (a funk groove), New Wallaw (a Voice of the North commission) and Remara (also heard previously in big band or Splinter Group context) illustrated the breadth of Wilson’s talents as composer. The latter number featured Wilson’s excellent tenor and Paul Edis (keyboards). 
Sycamore (a lament and a second reference to the derelict Wallaw Cinema in Blyth) show-cased Wilson’s cool tenor playing and Edis’ measured response. A brace of new tunes - Toe of Fudge and Pleasureland – are sure to be heard again at future gigs (they’re good ones) and Honolulus (the final number of the evening) tore it up (cue Adam Sinclair’s top grade drum solo). 
Catch the Graeme Wilson Quartet at a gig sometime soon – they’re a seriously good outfit. Wilson has another project brewing…the music of John Coltrane. When Wilson puts it on the stand it will be with a slightly different but equally good line-up. A must for those who know Coltrane’s music. A must for those who know Wilson’s music. Keep checking Bebop Spoken Here for news of where and when.
Russell                     

1 comment :

  1. Graeme's such a great tenor player, you're so lucky to have him in your neck of the woods. Always really loved his sound.

    ReplyDelete

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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