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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Saturday October 21

Afternoon

???????

Evening

Tees Valley Jazzmen - Sadberge Village Hall, 5 Beacon Grange Park, Sadberge, Darlington DL2 1TW. 7:30pm. £9.00. inc cheese & biscuits, BYOB.

Mat Maneri/Evan Parker/Lucian Ban: Sounding Tears - Sage Gateshead. 7:45pm. £13.50.

The Exiles - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. Line-up: Dave Hignett (trumpet), Niall Armstrong (tenor sax), Mike Cunningham (piano), Hazel Hanley (double bass) & Paul ‘Sid’ Wight (drums).

George Shovlin & the Radars - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, August 28, 2012

CD Review: Filipe Monteiro - In Bad Company.

Filipe Monteiro (gtr); Roberto Manzin (ten/sax/clt); Sam Leak (pno); Fergus Ireland (bs); Callum Armstrong (bagpipes); Lewis Wright (dms).
(Review by Lance.)
Let me make this clear - this disc has nothing to do with the rock band Bad Company! It's far too good for that. However, I could see the name being a deterrent to the right customer and an attraction to the wrong one!
The CD is Monteiro's first album and it is an impressive début. Drawing on his memories of living in a small village nestled in the Italian Alps, moving around Europe and Canada, settling in London in 2005 and, of course, his affinity with Brazil. The all but one self-penned compositions create an aura of beauty that reflects in the music. The inclusion of bagpipes may cause a few quizzical eyebrows to be raised but the pipes are not intrusive and contribute greatly to the one track where they are featured.
As well as his compositional skills, Monteiro is no mean guitar player, displaying a wealth of ideas in solos that abound in lyricism. 
Reed-player Manzin has a prodigious technique that he utilises effectively on tenor, soprano and clarinet. On the non-original - Mingus' Duke Ellington Sound - the tenor is full and round with an almost Websterian sensuousness and guitar and tenor combine well in the ensembles. And how about that clarinet on Missing Home? About time we had some new liquorice and this is very tasty liquorice indeed! Some nice piano from Sam Leak on the Mingus piece
Leak, in fact, is a tower of strength throughout and bass and drums gel helping to make this an album to delve into time and time again.
Filipe Monteiro: In Bad Company was released earlier this year. To obtain a copy check here.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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