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Bebop Spoken There

Billie Holiday: "Lester sings with his horn. You listen to him and you can almost hear the words" – (Jazz Greats number 18).

Ralph Hutchinson: "I thought I'd gone as far musically back home [Newcastle/UK] and I wanted to get ahead of the boys. I wanted to hear Parker and Gillespie and Kenton." – (Down Beat, November 18, 1949).

Archives.

Burton Agnes Jazz & Blues Festival Competition

Win a Family Weekend Pass to the UK's most idyllic Jazz festival. (July 1 - 3, 2016.)
1) In which county is Burton Agnes Hall situated?
2) Which artist appearing at the Festival was described by Christine Tobin as having ‘a wild musical spirit’?
3) Who will close this year’s Burton Agnes Jazz and Blues Festival?
Email your answers to lanceliddle@gmail.com.
Competion is still open so enter to win a prize worth £283 and have a great weekend!
CLOSING DATE EXTENDED TO JUNE 1!
Programme Details.

Today Friday May 27

Afternoon
Rendezvous Jazz - Monkseaton Arms, Whitley Bay NE25 8DP. 1pm. Free. 0191 2513928.
Dean Stockdale Trio - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £4.00.
Evening
Bonnie Raitt - Sage Gateshead. 7:30pm. £40.50. & £35.00. SOLD OUT.
Sue Ferris Quintet - Ushaw College, Nr. Durham (3 miles). 7:30pm. £7.00.
Free Improvisation workshop - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00. ‘KOAN 2 – the Middle Game’ led by Heatpad ao. Session 2/3.
Hannah Taylor/Alix Shepherd - Redwood Bar, Vermont Hotel, Castle Garth, Newcastle NE1 1RQ. 6pm Free. 0191 2331010.
Boys of Brass - Hoochie Coochie. 8:30pm. £5.00. (free b4 9:00pm).
Alan Law/Rebecca Gregson Duo w. Katy Trigger - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free.
Steve Bone - Al Forno, 81 Skinnergate, Darlington. DL3 7LX. Tel: 01325 466585. 7:00-9:00pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, April 25, 2012

We Free Kings - Schmazz @ The Cluny. April 24

Toby Greenwood (tenor saxophone), Mark Chandler (trumpet & flugelhorn), Jamil Sheriff (keyboards), Richard Hammond (double bass) & Dave Walsh (drums).

(Review by Russell).
I made a bee line for Cluny 2, the Head of Steam’s subterranean annexe. We Free Kings were about to offer up gifts. Arriving in the nick of time, descending the staircase it was eerily quiet. I opened the door into pitch dark silence. Now I know Schmazz is struggling for funds but surely the gig hadn’t been cancelled at the eleventh hour? Perhaps such huge numbers had turned up to bade farewell to Schmazz that there was a last minute switch to the main venue upstairs. I wandered up to the main place and sure enough there was the regular band of Schmazz diehards. It wasn’t heaving it was just the regulars. An ‘admin error’ had listed the gig as being in the other space. So, it was to be service as usual – young, new, original, innovative and ‘interesting’. Well, well, well. What do know?
This was a jazz gig! Jazz at the Cluny! Surely not? We Free Kings, led by tenor player Toby Greenwood, played it mid-sixties Miles with occasional excursions; Blue Note, a fleeting sketch of a Rollins’ calypso, a fragment of Township jazz and a large measure of Dolphy (Funny Looking Fish). The quintet didn’t need to show off, they were cool, no blistering full on assault from these guys. This was the Paul Edis Sextet with an edge to it, just a little bit of attitude. Jamil Sheriff plays electric piano as it should be played; tone, volume and style spot-on. Greenwood’s frontline partner Mark Chandler was a revelation. He played a lot of flugel. He played it beautifully. Think Noel Dennis, Graham Hardy, Steve Waterman and you get an idea of where he’s at. The pairing of bassist Richard Hammond (commendably restrained) and drummer Dave Walsh (he’s a class act having been around the block a few times) were first class and very much part of the group sound. Greenwood’s tunes held the attention, frequently hinting at the oh so familiar, but then in a trice it was gone. Tree Frog, the gospel feel of A Child’s Place, Ten Tins, the aforementioned Funny Looking Fish and PPP were just some of the numbers from the pen of the talented tenor man. The latter tune had a tale to tell and Greenwood did so engagingly with no little mirth. PPP was otherwise known by the band as Pissed People Eating Pizza but recently has become known as Posh People Eating Pasties (much hilarity on stage that it should be ‘Parsties’). Wye aye man, a canny gig.
Russell.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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