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Bebop Spoken There

Roland Hanna: "To me, music is a sort of a help-mate for human beings to get through life with; it's a valve for us to release some of the pressure that builds up." - (Crescendo June 1980).

Rodney Whitaker: “I started playing jazz because a neighbor saw me carrying my upright bass home, and he made me know how important it was that I was part of a legacy – informed me about Paul Chambers and Ron Carter.” – (Down Beat November 2014).

Bebop Spoken There Archives.

Today Monday November 24

JAZZ IN THE AFTERNOON - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Classic Jazz, Raffles and a jolly afternoon.

Sunday, April 29, 2012

DAGDA w. JEAN TOUSSAINT - Splinter @ The Bridge, Newcastle.

Jean Toussaint (ten/sop); Tom Harrison (alt); Billy Adamson (gtr);  Tom West (bs); Mike Clowes (dms).
I can count on one finger the number of times I've heard a former Art Blakey's Jazz Messengers' tenor man play the Bridge Hotel. Somehow, Benny Golson, Hank Mobley, Wayne Shorter etc. didn't get around to it. Fortunately, Jean Toussaint did!
And he was in good company with the London based DAGDA - who'd drove up after a lunchtime gig at 7Arts Leeds
The late Chris Yates would have described Toussaint as "a tough tenor" and he'd have got it right!
The lithe alto solos of  Tom Harrison added to this musical experience and they  represent everything that is so good about many of the young players today. Tom has a lucidity about his playing that many older players would struggle to match. He simply soars like a Bird (and I use the word advisedly) breaking through the sound barrier at the speed of light. Breathtaking!
As for Jean Toussaint, you don't get to hold down the tenor chair with Art Blakey unless you're the hottest horn on the planet which, at the time, he was and indeed still is. Body and Soul (click here to watch YouTube clip from Adrian Tilbrook) was Coleman Hawkins updated to the twenty-first century and then some. These days he's also an educator which must surely be like a writer having Billy Shakespeare or Charlie Dickens for a teacher. There was much education laid down tonight.
The rhythm guys did the necessary with Adamson's solos adding another ingredient to the mix and bass and drums providing a solid foundation.
Gig of the Year material without doubt.
C'mon Arts Council England we can't afford to lose concerts like this!
Photos by Adrian Tilbrook.
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
PS:I don't care what your political views are - you can love or hate Cameron, Clegg, Milliband, Farage, Genghis Khan or Julius Caesar - just don't air them here!
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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