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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Friday October 20

Afternoon
Rendezvous Jazz - The Monkseaton Arms, Front St., Monkseaton, Whitley Bay NE25 8DP. 1pm. Free.

Hand to Mouth: Lindsay Hannon & Bradley Johnston - Bishop Auckland Town Hall. 1:00pm. £5.00.

Vasilis Xenopoulos & Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SE. 1:00pm. £5.00.

Evening
Julija Jacenaite & Alan Law - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. Free.

King Bees - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Traveller’s Rest, West Auckland Road, Cockerton, Darlington. DL3 9ER. 8:30pm. £10.00. Opus 4.

Hot 8 Brass Band - Northumbria Students’ Union, Sandyford Road, Newcastle NE1 8SB. Tel: 0191 227 4757 (SU enquiries). 7:30pm. £20.35.

Twin Beam - Hidden Heights Creative Studio, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Beth Macari - Prohibition Bar, Brandling Street, Gateshead NE8 2BA. 6:30pm. Tickets: £5.00. in advance from Arch 16 Café (next to High Level Bridge). An Oxjam Gateshead Bridges Quarter event. Multi bill, multi venue.

Sting - Bamburgh Castle. 7:15pm. Tickets: £250.00. & £150.00. Acoustic. Charity gig.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, March 02, 2012

PG3 plus guests @ Jazz Café (Thursday 1 March)

Peter Gilligan (pno), Paul Grainger (bs), Daniel Reed (dms) plus Dai Pritchard (alto sax), Marizio Minardi (sop. sax, piano), Richard Henry (bass tmb), Lindsay Hannon (vcl), Adrian Lukis (vcl), ?(vcl), ??(vcl)
Alan Law once began an item on this blog (about Lennart Anderson dropping into the Jazz Café and blowing up a storm) with the words “hope you don’t mind me breaking convention, but I need to review my own gig!!!, but its not about me!”.  I suspect that Alan’s writing is of a higher quality (as is his playing) but I’m driven by similar feelings to do the same.
Last night at the Café, Gilligan was displaying a deft touch during a first set of soft, tender ballads with sensitive support from drummer Dan Reid (whose playing seems to unveil ever more depth and colour each time he sits behind the kit).  During the break the company and musicians of the RSC arrived and the roof came off during the next set.  The thespians in the audience were up for a good time and everyone who took the stand responded.
Richard Henry (Back to Basie Orchestra/ Carla Bley/ Julian Joseph big bands) and Marizio Minardi (Brandon Allen/Quentin Collins) weaved magic over How Insensitive Dai Pritchard (formerly Loose Tubes, currently Pasadena Roof Orchestra) unleashed his funky side over Summertime and Cantaloupe Island.  The personnel changed – and tunes came – thick and fast, all anchored by Pete Gilligan's solid playing.  At one point the three horns together delivered a very spirited All the Things You Are (I seem to recall) in which their lines were so together it sounded like one musician.  
Lindsay Hannon arrived at around 11 (“I just called in for five minutes on my way home”) and sang – amongst others – My Funny Valentine.  During Marizio’s solo Richard and Pete picked up on rhythmic changes in each others playing and the rhythm section followed into a couple of choruses on a ska beat before returning to the original feel for Lindsay’s last chorus.  A number of singers from the assembled company (sorry my hands were full of double bass so I couldn’t note names) sang lovely versions of a number of standards, including a great swinging/shuffle around God Bless the Child.  
Later Adrian Lukis sang Satin Doll with a delivery that Rex Harrison would have been proud of.
If I’ve forgotten anything or anyone, please accept my apologies. It was a blistering, lively, exciting night that ended with an appropriate finale that involved the entire audience dancing whilst the horns, Lindsay (whose five minutes had extended to about four and a half hours) and the rhythm section, traded on a funk jam.  Some days I just feel very lucky to be in the right place at the right time – and this was one of them.
Photos by Kaveh.
Paul Grainger.

1 comment :

  1. Kav's photo absolutely captures the atmosphere. The photo of Dietrich looking down just rounds it off - wish I'd been there.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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