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Bebop Spoken There

Jascha Heifetz: "Jazz is an exciting form of musical expression." - (Melody Maker May 23, 1953. From Colin Aitchison's amazing collection).
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Regina Carter: “I used to have a stack of classical albums that my teacher would send home with me. I’d listen to them all day, and even go to sleep listening to them if I was learning a particular piece.” – (Jazzwise July 2015).

Today Monday July 6

Afternoon.
JAZZ IN THE AFTERNOON - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Classic Jazz, Raffles and a jolly afternoon with COLIN AITCHISON; FRANCO VALUSSI and a cast of 1000s (ish).
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Evening.
EAR TRAINING & IMPROVISATION - Lit & Phil, 23 Westgate Rd, Newcastle NE1 1SE. 7pm. Free.
A Paul Edis workshop.
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HORNS TOGETHER - The Globe, 11 Railway St., Newcastle NE4 7AD. 7pm. £15.
Another Globe educational initiative.
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METTE RASMUSSEN and CHRIS CORSANO DUO - Lit and Phil Library, 23 Westgate Rd., Newcastle NE1 1SE. 8pm. £10/£8 (Concessions).
A JNE "Women Make Music" presentation.

Wednesday, March 21, 2012

Jazz Esquires @ Porthole

Miles Watson (tpt/vcl/dms); Tony Winder (ten/clt); Terry Dalton (tmb); Roy Gibson (pno); Robin Douthwaite (gtr); Stan Nicholson (bs); Laurie Brown (dms/clt). + Brian Lineham (hca/vcl); Teresa Armstrong (vcl);  George Laing (pno).
One of the best things about going to The Porthole is the Ferry Cross The Tyne. On a clear day like today it is truly inspirational and yet nostalgic as I think back to the days when the shipyards were alive, fishing boats were in abundance and river traffic was plentiful. Today, in fact I noted a container ship leaving the Tyne as well as one entering it (it may have been the same one  returning having forgotten something!)
In the pub it has to be said, the beer wasn't wonderful, my first pint having slept too long overnight in the pipes. Draught Double Maxim was an improvement although I wasn't surprised to see some regulars drinking cans of McEwans' Export.
Still, I was here for the music and not the beer (believe that if you like) and the band kicked off with a couple of Ellington's - It Don't Mean a Thing and I Got It Bad - Miles took the vocals in his inimitable style.
More good tunes in Just Friends, Ain't Misbehavin', Days of Wine and Roses (a work in progress) and On the Sunny Side of the Street.
Interval time and Laurie Brown moved from drums to clarinet whilst Miles moved from trumpet to drums for Stranger on the Shore. I have to say that this was the best version of Stranger on the Shore that I've ever heard played on clarinet by a drummer.
Brian Lineham took to the stage and played and sang a brilliant version of I Love You For Sentimental Reasons. Made my afternoon. He also had a blast on Blue Moon and Over the Rainbow.
Teresa sang Did You Ever See a Dream Walking?
George Laing sat in but it was ferry time for me.
The audience were of a certain age - myself included - however, Monica, with whom I shared a table seemed to have survived the ravages of time better than most!
Lance.

2 comments :

  1. "I have to say that this was the best version of Stranger on the Shore that I've ever heard played on clarinet by a drummer."
    Lance,- don't ever change.
    Gordon (still laughing!)

    ReplyDelete
  2. Never thought of that Lance
    I hope I can keep that up
    A small claim to fame eh!
    Cheers Lance
    Laurie.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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