Total Pageviews

Bebop Spoken There

Dave Gelly: “From 1 January 1920, when prohibition was imposed in the US, people didn’t stop drinking, they just stopped drinking legally.” – (Jazz Journal October 2017).

Regina Carter: “When I was a teenager, I would daydream about going out on a date and dancing to Ella’s music.” (Down Beat October 2017).

Today Thursday November 23

Afternoon
Vieux Carré Jazzmen - Holystone, Whitley Rd., nr. Newcastle NE27 0DA. 1:00pm. Free.

Evening.
Maine Street Jazzmen - Potter’s Wheel, Sunniside, Gateshead NE16 5EE.

Group Theory - The Globe. 7:30pm. £5.00. Superb Durham University quartet. Dan Garel (alto), Tom Burgess (guitar), Dylan Purches (double bass) & Tristan Bacon (drums).

BABMUS - Jazz Café, Pink Lane, Newcastle NE1 5DW. 8:00pm. £3.00. (£2.00. concs.).

TBA – Railway, Wellington St., Gateshead. 8pm.

Tees Hot Club w. Kevin Eland (trumpet); Josh Bentham (sax); Ted Pearce (keys) - Dorman’s, Oxford Road, Middlesbrough TS5 5DT. 9:00pm. Free.

Skidoo 52: The Joint Is Jumpin’ - Boldron Village Hall, County Durham DL12 9RN. 01833 638210. 7:30pm. £9.00. adult, £20.00. family.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton TS18 4AW. 8:30pm.01642 678129.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, March 14, 2012

CD Review - Indigo Kid

Dan Messore (gtr); Iain Ballamy (ten); Tim Harries (bs); Gethin Jones (dms).
The cow-poke on the sleeve and the album title suggests that this is some kind of tribute to the American West and maybe it is. However, given the personnel, unsurprisingly, this is no clip-clopping along c & w hoe-down. The feeling instead is one of vastness, of open spaces, rolling plains. A wayfaring stranger venturing into the unknown. The musicians blaze their own trails with respect and acknowledgement of each other's space without building fences.
Ballaimy's tenor sax, melodic yet probing as if in wonderment of his environment. A picture may be worth a thousand words but music is surely worth a thousand pictures? His solo on Gershwin's The Man I Love - the only non-original - is musical poetry.
The final track Bioluminescence brings the setting sun and the conclusion of a highly evocative album
Composer and guitarist Messore solos effectively in a manner that brought Bill Frissell to mind which is praise indeed although the young musician is no copyist.
Indigo Kid isn’t solely a western music exercise, and his (Messore's) search for cultural roots and their meaning stretches further afield. “Much of my composition comes as a response to nature and surroundings,” says Messore. “I have travelled a fair amount, whilst doing so I always try to get off the beaten track: hitching, sleeping out, working locally. I am attempting to create music that has a strong sense of landscape with improvisation”. On the way he has looked to Africa and its folk music, especially inspired by the gentle rootsy jazz guitar of the unique Benin-born NY-based star Lionel Loueke. And to Brazil, the great Hermeto Pascoal being a subtle but pervasive influence throughout the album. But it’s the accessible combination of all these lyrical song-like forms and deeply rooted improv aesthetics that appear throughout these sensual and very striking compositions that this highly gifted guitarist has recorded for his band debut Indigo Kid.
Lance.
Indigo Kid - Babel Label BDV1197 - Release date April 23, 2012.

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!