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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

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Today Sunday October 22

Afternoon.
More Jam - The Globe, 11 Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Gerry Richardson's Big Idea - Hoochie Coochie, 54 Pilgrim St., Newcastle NE1 6SF. 5:00pm. FREE!

Blues @ The Bay - Tanner Smith's, 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Blues Jam w. Scott Wall & Charlie Philp.

Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.

Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. 8:00pm. £10.

Smokin' Mat Partner - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Groove-a-matics - Sour Grapes, Newgate Street, Morpeth NE61 1BU. Tel: 01670 519069. 8:30pm. Free. Johnny Whitehill, Mick Cantwell…none better!

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 7:30pm. Free.

Body and Soul - Quakerhouse, Mechanics’ Yard, Darlington DL3 7QF. 6:00pm. £5.00. Line-up: Richie Emmerson (tenor), Kevin Eland (trumpet & flugelhorn), Rick Laughlin (keys), Phil Laughlin (bass) & Stuie Ellerton (drums).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 17, 2011

Paul Edis Trio at The Cherry Tree, Monday 16th. May 2011

Paul Edis (piano/ flute), Mick Shoulder (bass) and Roly Veitch (guitar/ vocals).
We arrived at The Cherry Tree ravenous and caught only hints and fragments of the first two numbers from the bar area while being tormented by delicious hints and fragrances from the kitchen opposite. These “soundbites” whetted the appetite for jazz and food alike.
           Tonight’s unusual line-up (Crook revisited!) saw Roly Veitch’s guitar and vocals replacing drums at short notice (and very ably indeed).
We were at table and up to speed by Nature Boy with Roly’s vocals as smooth as the tarragon and truffle oil which garnished my Gratin of asparagus and salsify – wonderful! After Paul gave the flute its first outing of the evening (sorry, I missed more titles than I heard!) we had Darn that Dream and a dreamy Crab linguine with chilli, garlic and lemon – a Cherry Tree favourite. Chef on victuals, Roly on vocals: what can I say? The boy's darn good!
Then it was Montego Bay to Osborne Road (via Crook) with Calypso Jim – a Roly Veitch gem – with infectiously sunny solos on both flute and guitar, swiftly followed by All the Things You Are which, accompanied by Crème brulée with rhubarb compote and vanilla shortbread (All the Things You Like?) took us to the break.
The restaurant was gradually filling, now, having been quieter yet, thanks to one couple (utterly oblivious to the musicians), noisier than usual! This pair apart, everyone was visibly enjoying the food and the music.
Set two opened with a lively, rhythmical number (sorry, missed that title, too!) followed by more vocals from Roly on 100 Years from Today. The next “untitled” featured melodic flute, a fine bass solo (with flute “long-notes” thrown in) and flute/guitar fours too!. In this number and throughout the evening, Mick Shoulder’s steady bass was the band’s pulse.
At this point Roly got vocally romantic with My Romance but, unfortunately, “Dumb and Dumber” on a nearby table (and on their third bottle of red in double-quick time!) got Loud and Louder! In which company the Chopin-inspired How Insensitive, seemed remarkably appropriate!
Things quietened then as Roly did a beautiful version of In the Wee Small Hours and another young couple (God bless them for restoring my faith!) showed how to react to romantic music by doing a spontaneous two minutes of “Strictly Ballroom” on the landing above, seemingly unaware that they could be seen from below!
The set ended with a choo-choo-boogie blues (not the title – another train I missed!) featuring some great picking and piano, a bowed-bass solo and a whimsical flute flourish at the close. That sounds a bit like tasting notes for a flavoursome wine: this was a vintage performance full of subtlety and variety – and that goes for the food, too!
Jerry.

1 comment :

  1. Really enjoyed reading that, loved the dumb & dumber bit!
    Liz

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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