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Bebop Spoken There

More from Jazz Monthly:

John Postgate: "Oscar Peterson played a good solo in 1954..." - (Jazz Monthly August 1960)

Bill Evans: "A composer writes something, and an orchestra interprets it--he spends maybe six months writing 10 minutes of music, but a jazz musician spends 10 minutes of playing 10 minutes of music, and he performs it himself". - (Jazz Monthly July1960).

Archives

Today Sunday October 22

Afternoon.
More Jam - The Globe, 11 Railway St., Newcastle NE4 7AD. 3:00pm. Free.

Gerry Richardson's Big Idea - Hoochie Coochie, 54 Pilgrim St., Newcastle NE1 6SF. 5:00pm. FREE!

Blues @ The Bay - Tanner Smith's, 17-19 South Parade, Whitley Bay NE26 2RE, 0191 2525941. 4pm. Blues Jam w. Scott Wall & Charlie Philp.

Musicians Unlimited - Park Hotel, Park Rd., Hartlepool TS26 9HU. 01249 233126.1pm. Free.

Somethin' Blue - Vesuvio, 3a Houndgate, Darlington DL1 5RL. 01325 788564. 5pm. Weekly.
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Evening

Vasilis Xenopoulos & Nigel Price w Paul Edis Trio - Black Bull, Bridge St., Blaydon NE21 4JJ. 8:00pm. £10.

Smokin' Mat Partner - Billy Bootleggers, 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.

Groove-a-matics - Sour Grapes, Newgate Street, Morpeth NE61 1BU. Tel: 01670 519069. 8:30pm. Free. Johnny Whitehill, Mick Cantwell…none better!

Jazz Jam - Empty Shop, 35c Framwellgate Bridge, Durham DH1 3NJ. 7:30pm. Free.

Body and Soul - Quakerhouse, Mechanics’ Yard, Darlington DL3 7QF. 6:00pm. £5.00. Line-up: Richie Emmerson (tenor), Kevin Eland (trumpet & flugelhorn), Rick Laughlin (keys), Phil Laughlin (bass) & Stuie Ellerton (drums).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, May 31, 2011

The Budtones @The Jazz Cafe - Saturday 28th May

Stu Finden - tenor sax ; Fiona Littlewood - vocals, tenor sax ; Tim Knowles - guitar ; Jim Crinson - double & 5 string bass ; Omid Ramak - drums (standing in for Eric Stutt) A jazz rock solid debut for the reinvented Budvivar - Fiona launched her jazz vocal career tonight with such panache we'll all be queuing outside Zoe's new Low Fell door for singing lessons! Such a joyful mellow voice for jazz standards she danced confidently through the verbal prestidigitation of Love Me or Leave Me and Get it Straight (...no Chaser) occasionally recharging her vocal chords with a blast on the tenor in several instrumental numbers, including Stu's own Stoo's Blues - a lively piece with some great tenor solo work from both Stu and Fiona. In fact Stu Finden is the solid backbone to this band with his understated but well-crafted solos really drawing you in - the perfect side man for Fiona's lively vocals, which we expect to grow in strength and maybe, in a couple of numbers, in pitch, to keep the band in their place. This was the first time I'd stepped into the classic ambience of the Jazz Cafe, no, seriously! There's a nostalgic heady vapour like the leather and petrol of an old American car - the ones with the flying rear wings and huge rear lights. To give the band a chance to set up, we watched them and the enigmatic Keith Crombie - flashes of the film Cabaret still playing on his face - through the windows of The Forth opposite: reflections of a silent movie like two Edward Hopper paintings on opposite walls playing tricks in bar mirrors! And so with Keith's determined yet friendly pessimism still ringing in my ears - "Jazz is dead in Newcastle!" - Fiona launched into the second set with the acid nostalgic funk of Dexter Gordon's Psychedelic Sally as Omid jumped up to the plate with a passion and the place started to fill up with punters. An engaged couple danced an improv tango as Keith rearranged the furniture like a kindly uncle, so we could all join in. Jazz not dead then, just occasionally poorly! Some steady well-executed Wes Montgomery-esque guitar work from Tim as he dealt with the lively West Coast Blues. Then later, a friendly gesture to Mark Williams, who's admiration of Tim's lovely Ibanez 175 won him an impromptu place in the band while Tim took five in the still-expanding late shift in the audience pit. Mark really took off with the inspiration of the Ibanez seeming to forget that he was only passing through - no complaints! Although Omid was only standing in for Eric Stutt he made an impressive impact and paired up well rhythmically with the confident versatility of Jim Crinson on sometimes double, sometimes 5 string electric bass. Overall a great night, in for me, a fantastic venue. Other numbers we remembered: You Go to My Head and But Beautiful. If we're allowed to quote lyrics? Love is funny, or it's sad, Or it's quiet, Or it's mad. It's a good thing, Or it's bad, But beautiful... George M Photos Chiaroscuro - i.e. impossible to make out what's there! But Beautiful You Go To My Head
Stoo's Bloos - Orignal by Stu
Love Me or Leave me
Straight No Chaser
Well You Needn't

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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