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Bebop Spoken There

Art Blakey: "I don't wear a hearing aid on the bandstand. I play by vibrations - it worked for Beethoven" – (Down Beat December 1988).

Ralph Hutchinson: "I thought I'd gone as far musically back home [Newcastle/UK] and I wanted to get ahead of the boys. I wanted to hear Parker and Gillespie and Kenton." – (Down Beat, November 18, 1949).

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Burton Agnes Jazz & Blues Festival Competition

Win a Family Weekend Pass to the UK's most idyllic Jazz festival. (July 1 - 3, 2016.)
1) In which county is Burton Agnes Hall situated?
2) Which artist appearing at the Festival was described by Christine Tobin as having ‘a wild musical spirit’?
3) Who will close this year’s Burton Agnes Jazz and Blues Festival?
Email your answers to lanceliddle@gmail.com.
Competion is still open so enter to win a prize worth £283 and have a great weekend!
CLOSING DATE MAY 27!
Programme Details.

Today Thursday May 26

Afternoon.
Vieux Carré Jazzmen - The Holystone, Whiley Rd.,Newcastle upon Tyne NE27 OD17. 1:00pm. Free. NOTE NEW VENUE!
Evening.
Tees Hot Club w. Ray Dales (alt); Kevin Eland (tpt); Jeff Aucott (keys) - Dormans, Oxford Rd., Middlesbrough. 9pm. Free.
Maine St., Jazzmen - Potter's Wheel, Sunniside, Tyne and Wear, 8:30pm. Free.
Strictly Smokin’ Big Band – Millstone, Haddricks Mill Rd., South Gosforth. 7:00pm.
Pocket Jazz Orchestra – The Ship, Redmarshall, Stockton. 8pm. Free.
Ingrid Jensen Quartet - Black Swan, Newcastle Arts Centre. 59 Westgate Rd., Newcastle NE1 1SG. 8:00pm. £10.00. & £8.00.Jazz Café/JNE co-promotion.
Descarga! - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. Free. Havana style jam.
Redemption - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. £5.00.
Paul Skerritt w. David Ball (guitar) - Jazz @ Mambos. Winchester St., South Shields. 7pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, September 18, 2010

Listening Through The Noise - Some Thoughts

My main thought about this book is that the writer is genuinely trying to say something original about music, but she fails to tell me anything I didn’t already know, so I won’t be hurrying to the shops any time soon.
I imagine there are others on the blog who feel the same, and I’d love them to write something as well. Mind, my experience of electronic music is limited to what I hear on Radio 3’s nightime ‘Late Junction’ music programme, which has a good mix of world and unusual music. I usually have to turn down the cacophany of the electronic stuff.
Maybe I’m missing something. The writer wants natural sounds incorporated into music. They always have been. Classical composers included birdsong motifs in their music. They didn’t have the facilities to record the real thing, and if they had they would presumably have modified the sounds into some kind of musical pattern. Birdsong has musical elements but I think there’s a world of difference between just listening to the natural world itself and making actual patterned music from the raw material.
The writer says there are new ways of listening to music, but people have always listened to music in different ways. When Mozart was played in salons it was often just a background to people flirting and doing business deals. There was never a golden age of people listening with rapt attention. Wagner was the man who tried to get people to listen ‘properly’, by turning down the lights in the theatre.
So people today listen in many different ways, such as background music, music for dancing, or songs in folk clubs where silence is expected because you need to hear the words.
I find listening to modern jazz challenging because I don’t know whether to follow one instrument, let it all wash over me, or what, and that’s what makes it interesting.
The writer mentions the use of silence. It’s in all music already. I believe it was John Cage who wrote a piece of 4 minutes silence, but that was really a piece to question the actual nature of music and what you heard was actually the coughs of the audience and distant outside noises etc. And as for the use of feedback, Jimi Hendrix positively thrived on it!
She gives the example of what happened to painting when photography came along. After a while painting reasserted itself and it’s alive and well today, and one style of painting even copies photography. We’ve already had the same kind of discussion about literature a few years back, when the ‘death of the novel’ was predicted, but it didn’t happen. All worthwhile art forms survive, with modifications over time.
No doubt electronic music will contribute something to music generally, without too much of a revolution.
Ann Alex

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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