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Bebop Spoken There

Bobby Shew: "I feel that every player should sit down and learn to play a little bit of drums in order to gain the ability to swing from a rhythmic point of view." - (Crescendo, February 1980).

Diana Krall: “When I started out, I wanted to sing like Ernestine Anderson and play piano like Monty Alexander. That hasn’t changed much, but you settle into accepting what you do.” – (Down Beat December 2014).

Bebop Spoken There Archives.

Today Thursday December 18

Afternoon.
VIEUX CARRE JAZZMEN - The Millstone, Haddricks Mill Rd., South Gosforth, NE3 1QL. 1:00pm. 0191 2853429. FREE.
New Orleans in nice pub with 4 real ales, good food and a banjo!
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Evening
MAINE STREET JAZZMEN - Potters Wheel, Sunniside, NE16 5EE. 8.30pm. Free.
Good Time jazz with vocals by Olive.
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PILGRIM STREET BAND - Hoochie Coochie, 54 Pilgrim St., Newcastle NE1 6SF. 8pm. Free.
Hard blowing modern.
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TYNE VALLEY BIG BAND - Chevy Chase, Eldon Sq. Shopping Mall, Newcastle. 6-8pm Free
Senior & youth band play in space between Boots and John Lewis.
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ALAN LAW (Solo piano)- Cherry Tree Restaurant, 9 Osborne Rd., Jesmond.
Superb Xmas Fayre and great music.
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THE TEES HOT CLUB - Dorman's, Oxford Rd., Linthorpe, Middlesborough, TS5 5DT. 01642 823813. 9pm. Free admission.
Gypsy jazz with Xmas Party guests Kevin Eland (tpt); Josh Bentham, Ray Dales (saxes); Jeff Aucott (keys) & maybe more.
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POCKET JAZZ ORCHESTRA - Ship, Church Lane, Redmarshall, Stockton TS21 1EP. 8pm.
Jeremy McMurray, Peter Ayton, Paul Smith and guests.
Monthly - Back January
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TBA - St. Joseph's CMS Club, Birtley. 8.15pm. £3/£2.50.
Monthly - Back in January.
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STRICTLY SMOKIN' BIG BAND - The Millstone, Haddricks Mill Rd., South Gosforth, NE3 1QL. 7pm. Free.
Monthly - Back in January.

Sunday, April 11, 2010

FOUR PODS OF PEPPER @ Trinity Center, Gosforth. Saturday April 10.


...and the show must go on...
Thomas Spats Langham (gtr/bjo/uke/vcls), Martin Litton (pno), Matthias Seuffert (reeds), John Carstairs Hallam (bass)
Out of adversity springs forth inspiration. Norman Field the regular clarinet player could not make the concert for family reasons, bass-saxophonist Frans Sjostrom was stricken by a sudden bout of gasto-enteritis and, to rub salt in the wound, only a moderate turnout by Trinity standards (but would have been ecstatic with this number at Blaydon) was not the best of starts for this concert. But no need for dismay – the boys turned up the heat and delivered a memorable performance to an extremely appreciative audience.
Talk about entertaining folk and diversity of repertoire. What a delight!
At the centre of it all was Spats Langham a singer immersed in the style of Crosby, Bowlly etc. He combines this with a host of anecdotes about that golden era. Add virtuoso tenor banjo, driving acoustic guitar (on a tiny unmiked parlour guitar at that) and a dash of ukelele and you have a unique performer, a walking treasure trove of a bygone age. 
Memorable features were Pickin’ by Harry Reser, demonstrating remarkable banjo technique and speed of hand, a delightful vocal version of Ghost of St Louis Blues inspired by Emmett Miller, a very unusual song Night Owl inspired, I think, by Ukelele Ike, Waller’s I Wish I Were Twins plus plenty more goodies.
Martin Litton is known for his impeccable mastery of early piano styles – blues/ragtime/stride etc and there was plenty evidence of that tonight but some lush chord voicings particularly on his intro to Sophisticated Lady gave us a clue that he is a player also at home in more modern styles when appropriate. Martin was featured on James P Johnson’s Carolina Shout and gave an exquisite rendition of Bix’s In a Mist.
Norman Field is a much loved player but not bad to have Seuffert as a ‘dep’. He has an international reputation and you can see why. Very fine tenor/alto sax in the pre-bop rhapsodic style but with modern, immaculate technique and an attractive soft, liquid tone. Combine that with virtuoso clarinet and you have quite a player as his features on the aforementioned Sophisticated Lady, My Ideal (on tenor), Wolverine Blues and Hoagy’s Jubilee on clarinet, testified.
All credit to our own John Hallam who stepped in at the last moment on string bass. He coped admirably with  the material. Playing in essentially a ‘two beat’ style interspersed with runs and fills he produced a nice, natural sound and contributed fully to the evening’s proceedings and with a nice solo on the final number, Happy Feet.
A totally enjoyable evening from start to finish.
Roly.

1 comment :

  1. The feature for Litton - I think it might have been Caprice Rag not Carolina Shout.
    Roly

    ReplyDelete

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
PS:I don't care what your political views are - you can love or hate Cameron, Clegg, Milliband, Farage, Genghis Khan or Julius Caesar - just don't air them here!
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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