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Bebop Spoken There

Dave Brubeck: “The critics who put me down the most asked me to forgive them.– (Down Beat July 2009).

Anita O'Day: “I don't think a singer ever gets so good she can't stand a little professional advice.– (Down Beat July 28, 1950).

APPJAG Jazz Awards

The All Party Parliamentary Jazz Awards are with us once more and the polls are open. You don't have to nominate in every category but once you've submitted your nomination that's it.

It's simple, just go to the Jazz UK website and enter your choices. For example, should you wish to nominate Bebop Spoken Here for the Jazz Media Award simply type in Bebop Spoken Here in the appropriate space.

You've got till noon on Feb. 18 to do it so - Let's Do It, Let's Nominate BSH!

Today Monday February 8

Afternoon
Jazz in the Afternoon - Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Evening
Ear Training w. Paul Edis - Lit & Phil, 23 Westgate Rd., Newcastle 1NE 1SE. 7pm. Free.

Monday, March 29, 2010

Saturday at the Sage Gateshead Jazz festival Gwilym Simcock and Massed Voices

‘I Prefer The Gorgeous Freedom’ 
The main item of this concert was the large, black–clad, community choir singing this piece,’I prefer the Gorgeous Freedom’ which was a blend of classical and jazz themes on the concept of freedom.  The piece was beautifully sung and accompanied by Gwilym Simcock’s Quartet - Gwilym (piano), Klaus Gesing (sop/bs clt), Yuri Gouloubev (double bass) and James Maddren (drums).  But I suspect that ardent jazz fans would probably have enjoyed the first item of the concert best, which was an extended original piece of exciting playing. This began with the lyrical piano and gently brushed drums and after an effective build-up and climax, returned to the same quiet satisfying ending. 
The rest of the concert, all on the theme of freedom, included a piece written by an internee at Guantanamo Bay, two poems set to music and a spiritual.  The Guantanamo piece was very dark, with brooding sax and sinister drumming which reminded me of the drip of water you’d expect to hear in a torture camp, or the tramp of boots.  I enjoyed the two poem pieces, which were settings of Yeats ‘Isle of Innisfree’ (back to my schooldays) and of ‘No Rack can torture me’ by eccentric 19th Century American poet Emily Dickinson.  The Yeats was very effectively sung by a female solo voice in a folky style.  The spiritual would be recognised by all television watchers as the theme tune of the film review programme, Billy Taylor's ‘Freedon Song’ (‘I wish I knew how it would feel to be free’). 
All told, this was an enjoyable afternoon’s concert, but hardened jazz fans may have had reservations.  For myself as a jazz beginner and a sometime singer, it was a great afternoon.
Ann Alexander.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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