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Bebop Spoken There

Jimmy Giuffre: "Jim Hall, Monty Budwig and I will just have to extemporise. I'm always interested in just trying to create. I am not interested in trying to sell music." - (Melody Maker March 5, 1960). From Colin Aitchison's amazing collection).

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Antonio Sanchez: “When I was starting as a sideman, it was always exciting when somebody new would call me to work.” – (Down Beat July 2015).

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Archives.

Today Wednesday July 29

Afternoon
Vieux Carre Jazzmen
- Crescent Club, 1 Hudleston, Cullercoats NE30 3OS. 1pm. Free.
Jazz Esquires - Magnesia Bank, Camden St., North Shields NE30 1NH. 1pm. Free.
Evening.
Take it to the Bridge Jazz Workshop - The Chillingham, Chillingham Rd., Heaton. 8:30pm. £1.
Dave Rae’s Levee Ramblers - Springwell Village Hall, Fell Rd., Gateshead NE9 7RP. 0191 4162630. 9pm. £2.
Swing Manouche (A new take on gypsy jazz w. Paul Edis (clt) & Mick Shoulder (gtr) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 0191 2399924. 7.00pm.
Jazz At The Bay - Cleveland Bay pub, 718 Yarm Rd., Eaglescliffe, TS16 0JE 01642 780275. 9pm.

Saturday, February 20, 2010

WJRK @ Trinity Church, Gosforth.

Mike Durham (tpt/vcl), Derek Fleck (clt.alt/vcl), Brian Chester (pno), Keith Stephen (bjo), Phil Rutherford (sousa), Kenny Milne (dms).
One thing about WJRK is their repertoire - I think Mike Durham once told me they had over 600 - maybe even 720 (tunes) - in the book. If so, it is no surprise that they are able to avoid the flogged to death numbers so beloved of many trad bands.
Indeed, tonight, the only numbers that could be said to have suffered from over-exposure were Savoy Blues and Tiger Rag. However, some creativity from Brian Chester and Keith Stephen, the world's least baddest banjoist, respectively, gave validity to the old warhouses.
Other tunes included Egyptian Ella, Bimbo on a Bamboo Island, Let's Misbehave - this was quite unique as it had a scattish vocal from Derek Fleck - Buddy's Habits, Jackass Blues, Cake-walking Babies - there were other quite obscure numbers too which made for a pleasant albeit not earth-shattering night.
On sousaphone Phil Richardson, on occasion, had the agility of a string bass and his tone on solos was positively sonorous.
The drum stool was occupied by Kenny Milne, all the way from Edinburgh, Scotland. Unfamiliar with much of the material Kenny kept a low-profile whilst doing everything that was asked.
Mike Durham, these days, sounds more like Humph than Humph both playing and announcing.
Vocalwise the mic system didn't do him justice likewise the lighting system didn't help Brian.
The band wore ties with red peppers on them - I kid you not! -and in many ways they sounded like Jelly Roll Morton's Red Hot Peppers without Jelly Roll Morton.
Despite a few gliches here and there which emphasised the fact that this is a band that isn't playing together as frequently as it deservedly should be I enjoyed the evening and the reasonably sized audience trotted home contentedly.
Next month, March 13, is the big one - Daryl Sherman with the Digby Fairweather Quartet. I can't wait even if it is just to see how Daryl finds the transition from the Waldorf Astoria, New York, to Trinity Centre, Gosforth.
No I'm looking forward to them both - See and hear her from the Oak Room of the Algonquin Hotel, New York City in this YouTube clip..
Lance.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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