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Bebop Spoken There

Don Rendell: "It was about the time that the organ-type piano attachment - the clavioline - was invented. And the poster billing at one place where we played up north announced proudly, but erroneously: "The Johnny Dankworth Seven, featuring Frank Holder and the cleolaine" " - (www.jazzprofessional.com, December 2001).

Mary Lou Williams: “...it was discovered I possessed perfect pitch. Rumour of this oddity spread throughout the school, and pupils would drop pots and pans and other loud objects, asking 'What note, Mary?' (Melody Maker, 1954).

Today Friday May 25

Afternoon

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Swing Manouche - Bishop Auckland Town Hall, Market Place, Bishop Auckland DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Evening

Jerron ‘Blind Boy’ Paxton - Sage Gateshead. 7:45pm. £15.30. NRFH. Solo blues, multi-instrumentalist, influences include Fats Waller & Blind Lemon Jefferson.

Shatner’s Bassoon - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. £8 (£6 in advance).

Hand to Mouth (Lindsay Hannon & Bradley Johnston) - Vicolo: Live in the Lane, Tyneside Cinema, Pilgrim Street, Newcastle NE1 6QG. 8:00pm. Free.

Baghdaddies - Spanish City Plaza, Whitley Bay NE26 1BG. 6:00pm. Online booking: £10.00. + £1.37 booking fee. The Whitley Bay Carnival ‘Big Ball’ featuring debut of the Baghdaddies’ big band line-up.

Nick Pride & the Pimptones - Cumberland Arms, James Place Street, Byker, Newcastle NE6 1LD. Tel: 0191 265 6151. 6:00pm. Free.

Swamp Hoppers - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Monday, January 25, 2010

You're A Real Musician When...

... you realize that the cheers from the audience after a particularly difficult passage are for a sports play on the big screen TV over the bar, and that in fact, no one is listening to you.
When the gig you drove 200 miles for to make $100, and had to pay for a hotel room, is later referred to as your "summer tour".
When your most sincere, heartfelt comments are made by people that are drunk and who won't remember you in the morning.
When you are repeatedly told that the lead singer who can't read, never practices and has been singing for only six months is "The strongest part of the band", primarily because she has big tits.
When you are pleased that the pay for the gig, when looked at hourly from the time you leave your house to when you return meets minimum wage.
When you get to the gig to find out that nothing is contracted, and you're charged $10 to park.
When someone seeks you out to complement your playing as the "best sax player they have ever heard", and you're the trumpet player.
When you realize that a small piece of equipment- such as a wireless mike you need- will take months of weekly gigs to pay for.
When you have to add $30 or $40 out of your pocket to find a sub, cause no one will cover you for what you are paid.
When you aren't offended when all of the young wedding guests leave after the second set to dance to the DJ at a club down the street.
When you are told that you must play until the very end of when you were contracted for, when your only audience is the bartender, and you're being paid 40 or 50 bucks for the night.
When the guy collecting money at the door for the band's performance makes twice over the course of the evening what you do as one of the band members.
When you know that other musicians who routinely claim they don't work for less than $100 a night only work a few times a year.
When people who are drunk tell you that what you are doing is absolutely great and the best thing thing they have ever seen or heard, but refuse to pay more than $5 at the door.
When someone calling the cops for noise is a good thing. You get to go home early and you still get paid.
When you realize that asking women out that you meet on gigs doesn't work, for now they know you're a musician.
When you have, for several years, been paid the same amount for a gig, but are afraid to say anything about it for fear that you might lose the gig.
When you spend more on the bar tab than you get paid for the gig.
Thanks to Ray Harley for forwarding this circuitously received post.
Lance.

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Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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