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Bebop Spoken There

Mundell Lowe: “...we also had to play for a floor show, which consisted of girls dancing--some of 'em were dressed, some of 'em were not so dressed.” – (Crescendo September 1974).

Brew Moore: "I played so many strip joints I was 21 before I saw a naked woman from the front." - (Downbeat July 24, 1969).

Number 24

Bebop Spoken Here is currently listed at number 24 (-2) in the WORLD JAZZ BLOG Rankings!

Today June 23

Evening
Paul Skerritt Band - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9pm. £7 (£6 in advance).
Box Wallet - Billy Bootleggers - 28 Nelson St., Newcastle NE1 5AN. 9pm. Free.
SouLutions - Hoochie Coochie, 54 Pilgrim St., Newcastle NE1 6SF. 9pm. £7.
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Hot Club du Nord - Queens Hall, Hexham - SOLD OUT!
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Horace Silverman & the White Gardenias - Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. 7:30pm. £7.50.
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Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, January 21, 2010

John Escreet Project @ The Sage Gateshead - January 20th

John Escreet (piano), Matt Brewer (double bass), Nasheet Waits (drums), Ambrose Akinmusire (trumpet) & David Binney (alto sax & electronics). A couple of years ago Yorkshire lad John Escreet upped sticks and headed for the Big Apple. Would the pianist be able to cut it or even maybe slay some mighty dragons in the jazz hot house that is New York? A nine date European tour with some of America's finest jazz musicians, calling-in at the Sage last night, would, no doubt, provide some answers.
The Northern Rock Foundation Hall was well attended (many of those present being that strange beast - the 'non-jazz' Sage patron never to be seen at a jazz gig elsewhere in the region). Escreet's Project took to the stage to warm applause and played three tunes without pause; delicate, tentative, explorative pieces with new trumpet whizz Ambrose Akinmusire exhibiting a different approach to many of his contemporaries in showing no inclination to knock 'em dead with bedazzling bugling. His preference was to reveal a superlative tone with squeezed half-notes and long, measured intervals.
John Escreet wrote all of the material performed on this tour, some of the compositions so new they went untitled. The first set closed with 'Wayne's World' a number to be found on Escreet's debut CD.
Bass and drums - Matt Brewer and Nasheet Waits (Waits was with Jason Moran at the Sage eighteen months ago) - proved to top class. Still in their twenties, they have, as their fellow Americans would say, 'awesome' technique and then some. How do they assimilate so much at such an early stage in their careers?
Altoist David Binney had been relatively subdued until this the first set closer. He fired-up the Apple Mac to throw some electronics into the mix and then the reedsman showed why he is held in high regard by many musicians and listeners alike.
A good, at times challenging set. Escreet offered more of this difficult music for the second set. The band, sight-readers all, were committed to the task, the leader himself content to be part of the unit, in no way dominating proceedings. His style is his own; sparse and percussive with contemporary classical elements competing with Junior Mance-like bop phrasing. There seems little doubt he will survive in the Big Apple.
The final composition of the evening 'Magic Chemical' typified the performance as a whole - full of twisting, changing time signatures and swing-time passages. The concert is an early contender for Gig of the Year 2010. The new material heard during the tour will be recorded in New York next week for future release. Russell

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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