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Bebop Spoken There

Steve Kuhn: "There's one advantage to playing in clubs, you know. You don't often come away feeling the evening has been too short." - (Down Beat February 8, 1968).

Christian McBride: “In jazz – particularly over the last 35 years or so – infectiousness and swing have become almost a detriment to be looked down upon.” – (Down Beat September 2014).

Bebop Spoken There Archives.

Today Friday September 19.

Afternoon.
RENDEZVOUS JAZZ - Black Horse, Monkseaton. 1pm. Free.
Classic jazz.
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ALAN BARNES/PAUL EDIS - Gala Theatre, Millennium Place, Durham DH1 1WA. £4. 1pm.
This really is a dynamic duo set book early!
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Evening.
ALAN BARNES w. PAUL EDIS TRIO - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £8. Tickets from the Craft Shop, Newcastle Arts Centre.
And you thought the afternoon session was good...!
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LICKETY SPLIT - Opus 4 Jazz Club, Traveller's Rest, West Auckland Rd., Cockerton, Darlington DL3 9ER. £6.
Swingin' octet always worth a listen.
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MISSISSIPPI DREAMBOATS - Wallsend Baptist Church, Milfield Ave., Wallsend NE28 9JG 7pm.
Classic New Orleans style jazz.

Thursday, November 26, 2009

More on Sonny Rollins at the Barbican.

(This comment, I decided is worthy of a seperate posting - Lance.)
We endorse everything said about the Mark Toomey Quartet at the Cherry Tree. A wonderful evening of jazz and a credit to the local jazz scene.
With reference to the Sonny Rollins Concert at the Barbican, which we and the family had the privilege of being there, it was the best jazz concert I have ever been to, for many reasons.
"The living embodiment of a great tradition" was Geoffrey Smith's description as he welcomed the band to the stage. How many musicians get a standing ovation before they actually get onto the stage, and at 79 years old give a performance with such enthusiasm and most of all, the creativity, was something to be seen (and heard of course)?
The fullness of his tone was all there and the band with him was first/world class. Bob Cranshaw on bass, Clifton Anderson on trombone, Bobby Broom on Guitar, a percussionist called Victor.Y.See Yuen, and a sensational drummer in Kobie Watkins; all having a ball and thoroughly enjoying backing the great Sonny Rollins.
Having said that, Sonny was very gracious and featured all of them throughout the concert, having the great respect for each other reciprocated, not allowing ego's to get in the way of what was great music.
Some of the tunes played were 'Someday I'll find you'', "They say that falling in love is wonderful", "St.Thomas" and of course "Don't stop the carnival", every tune being fully explored and no stone unturned (in improvisational terms), before Sonny would take it out.
He played one set lasting approximately 90 minutes finishing with the aforementioned 'Don't stop the Carnival' and again receiving his second standing ovation of the night lasting many minutes but returned only to give a wave to the standing adulating audiance.
Following that, you felt that the audience almost danced out of the Barbican with huge smiles on their faces with the haunting melody of 'Don't stop the Carnival' still ringing in their heads, knowing that they had all seen and witnessed one of the worlds greatest musicians still playing at a level beyond comprehension. Long may the 'Carnival' continue, and we hope Sonny Rollins continues to give the world so much pleasure listening to the sound of genius improvising tenor saxophone.
Ron Ainsborough.
(Photo courtesy of Derek Cogger).

3 comments :

  1. Here's my review- it was a great evening

    http://londonjazz.blogspot.com/2009/11/review-sonny-rollins.html

    ReplyDelete
  2. Great reviews and a pleasure to read about the enthusiastic experiences.....and although I wasn't there, I'm sure the whole repertoire was full of melodic, harmonic and rhythmic content - which really is what "music" is all about.

    Unlike some of the claptrap that is bandied about as "jazz" these days.

    ReplyDelete
  3. Sonny Rollins Roadshows.
    Vol.1 was great, I've nearly caused a few traffic accidents blasting this out.January 2012 Jazz Journal has a review of Vol.2 just out (almost as good)but for those of us in straitened circs. during the long hard con/dem winter this new issue is immediately available on Spotify for nowt. It'll bring a tear to the throat and a lump to the eye. Go on traddies broaden your horizons!

    ReplyDelete

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Alternatively, email me - lanceliddle@gmail.com.

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
PS:I don't care what your political views are - you can love or hate Cameron, Clegg, Milliband, Farage, Genghis Khan or Julius Caesar - just don't air them here!
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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