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Bebop Spoken There

Charenee Wade: “…I was maybe 10 or 11, I was listening to 50 year old Sarah Vaughn and trying to sound like her.” – (Jazzwise October 2015).

Eddie "Lockjaw" Davis: “Wearing jeans, sweat shirts and sneakers is okay for a bowling alley but is unacceptable on stage or in a club; such an appearance detracts from his talent. Really, what's missing from today's jazzmen is dignity.” – (Crescendo December 1975).


Today Friday October 9

Rendezvous Jazz - Monkseaton Arms, Front St, Monkseaton. 1pm. Free.
Bradley Johnston Quartet - Gala Theatre, Millennium Place, Durham, DH1 1WA. 1pm. £4.
Paul Edis (Solo piano)/ Early Bird Band - Jazz Café. 25 Pink Lane, Newcastle, NW1 5DW. 9:00pm. £4 (Early Bird Band set at 7:30pm is free.)
Taupe/Dead Hedge Trio/Waskerley Way - Head of Steam, 2 Neville St., Newcastle NE1 5EN. 8pm. £5.
Djazzville - Maltings Theatre, Eastern Lane, Berwick TD15 1AJ. 8pm. £12.

Sunday, August 23, 2009

The Story of the Hagstrom James L D'Aquisto Guitar by Ron Chapman.

My earlier meeting today with Ron Chapman produced this post that first appeared in "Just Jazz Guitar". Ron writes about his Hagstrom "Jimmy" guitars. It's a must for all guitar buffs. Click here. (Ignore the date on the link today's date is the correct one!) Lance. (There will be more from Ron later inc. a piece on Gary Potter.)


  1. Very interesting stuff. D'Aquisto with his then apprentice Roger Borys (now a revered luthier in his own right) developed a laminate archtop which Jim Hall adopted. I think there are only a handful in existence. Jim Hall used that D'Aquisto guitar exclusively for years. It has a gorgeous sound (a lot to do with JH though). The Gibson 175 is possibly the most used jazz guitar and it's a laminate top. In recent years other luthiers have developed boutique laminate instruments - Manzer, Sadowsky, Buscarino and others. There is a school of thought that a high end laminate top instrument gives a sweeter, more balanced tone and is more consistent, guitar to guitar, than carved top guitars which may have a bigger sound, more bass but sometimes more brittle high end and more inconsistency guitar to guitar.

  2. Roly is quite correct about the guitars that Jimmy D'Aquisto built, there must be at least fifty out there in the wide world somewhere. I mentioned in the Hagstrom article that he shipped fifty unfinished guitar bodies over to New York. Then fifty guitar necks intended for them were lost or stolen during the shipping. I have seen one of the guitars with the hagstrom body but with Jimmy D'Aquistos own manufactured neck. It was $30,000!!!


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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.

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