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Bebop Spoken There

Billie Holiday: "Lester sings with his horn. You listen to him and you can almost hear the words" – (Jazz Greats number 18).

Tony Williams: "I said, 'Miles, I mean Mr. Davis, can I sit in with your band?' Miles said, 'Go back, sit down, and listen'. So that was the first time I met Miles ." – (Down Beat, May 1989).

Archives.

Burton Agnes Jazz & Blues Festival Competition

Win a Family Weekend Pass to the UK's most idyllic Jazz festival. (July 1 - 3, 2016.)
1) In which county is Burton Agnes Hall situated?
2) Which artist appearing at the Festival was described by Christine Tobin as having ‘a wild musical spirit’?
3) Who will close this year’s Burton Agnes Jazz and Blues Festival?
Email your answers to lanceliddle@gmail.com.
Competion is still open so enter to win a prize worth £283 and have a great weekend!
CLOSING DATE EXTENDED TO JUNE 1!
Programme Details.

Today Tuesday May 31

Afternoon
Mosaic Jazz (Playing a celebration of American music) - Bell and Bucket, 37 Norfolk St, North Shields, Tyne and Wear NE30 1NQ. 1pm. Free.
Evening.
Play More Jazz w. Steve Glendinning - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm. 10-week course 4/10. (£140 (£125 for Jazz Coop shareholders).
Charles Gordon/Ken Hewitt Trio - Redwood Bar, Vermont Hotel, Newcastle. 7.30-10pm. Free.
Olie Brice Quintet - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8:00pm. JNE Schmazz. £10.00. & £8.00.
Maine Street Jazzmen - Jesmond British Legion Club, next to West Jesmond Metro Station, Newcastle. 8:30pm. £5.00.
Gavin Lee’s Dixieland Band - New Inn, 29 Church St., Durham. DH1 3DN. 9pm. Free.
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Sunday, August 23, 2009

The Story of the Hagstrom James L D'Aquisto Guitar by Ron Chapman.

My earlier meeting today with Ron Chapman produced this post that first appeared in "Just Jazz Guitar". Ron writes about his Hagstrom "Jimmy" guitars. It's a must for all guitar buffs. Click here. (Ignore the date on the link today's date is the correct one!) Lance. (There will be more from Ron later inc. a piece on Gary Potter.)

2 comments :

  1. Very interesting stuff. D'Aquisto with his then apprentice Roger Borys (now a revered luthier in his own right) developed a laminate archtop which Jim Hall adopted. I think there are only a handful in existence. Jim Hall used that D'Aquisto guitar exclusively for years. It has a gorgeous sound (a lot to do with JH though). The Gibson 175 is possibly the most used jazz guitar and it's a laminate top. In recent years other luthiers have developed boutique laminate instruments - Manzer, Sadowsky, Buscarino and others. There is a school of thought that a high end laminate top instrument gives a sweeter, more balanced tone and is more consistent, guitar to guitar, than carved top guitars which may have a bigger sound, more bass but sometimes more brittle high end and more inconsistency guitar to guitar.
    Roly

    ReplyDelete
  2. Roly is quite correct about the guitars that Jimmy D'Aquisto built, there must be at least fifty out there in the wide world somewhere. I mentioned in the Hagstrom article that he shipped fifty unfinished guitar bodies over to New York. Then fifty guitar necks intended for them were lost or stolen during the shipping. I have seen one of the guitars with the hagstrom body but with Jimmy D'Aquistos own manufactured neck. It was $30,000!!!

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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