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Bebop Spoken There

George Webb: "I have heard so many bands earning good money when they shouldn't have been playing in public at all - (Melody Maker June 15, 1957). From Colin Aitchison's amazing collection).

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Cécile McLorin Salvant: “The banjo is one of my favourite instruments…” – (Jazzwise September 2015).

Archives.

Today Saturday September 5

Early Bird Sessions - Lit & Phil, 23 Westgate Rd., Newcastle NE1 1SG. 11:00am. £2.00. Post-workshop half hour performance.

Frank Brooker’s Happy Chappies - St Augustine’s, Darlington. 12:30pm. £10.00.

Play Jazz! - Sage Gateshead. 2:00pm. £20.00. ‘Take the Jazz Train’ workshop led by Stu Finden. A Jazz Co-op event.

Shoeshop Quartet @ BAA Festival (Bellingham All Acoustic) - Brownrigg Lodges, Bellingham. NE48 2HR. Tel: 01434 221235. Day ticket £25.00.

Lindsay Hannon Plus, Iceni + others - Boiler Shop Steamer, Sussex Street, Newcastle. 3:00pm. £6.00.

Sunderland Blues & Acoustic Music Festival - Dun Cow, Sunderland. 1:00pm. Free. Line-up inc. Billy Newton, Gary Grainger, George Shovlin, George Lamb, Hokum Hotshots, Lee Bates, Michael Littlefield, Rod Sinclair & others. Twenty seven musicians (!), two stages (upstairs & downstairs).

Anna Reay/Deon Krishnan- Redwood Bar, Vermont Hotel, Castle Garth, Newcastle NE1 1RQ ?pm. Free.

Evening.
Jazz Machine - The Globe, 11 Railway St., Newcastle NE4 7AD. 7:30pm.£5.
Bradley Johnston (Solo gtr) - Cherry Tree Restaurant, 9 Osborne Rd., Jesmond, Newcastle NE2 2AE. 0191 2399924. 7.00pm.
Steve Glendinning & Peter Gilligan - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 9:00pm. Free.
Rendezvous Jazz - Sandpiper, Cullercoats. 8:30pm. £3.00.

Friday, August 07, 2009

Release Mike Westbrook

Dusting off some vinyl the other day (wife says "You? dusting?) I pulled out Mike Westbrook's "Release". What memories this brought back! For me, this was a doorway into the freer forms of jazz without total disregard to the past. A Mingus like theme, yet with a sort of patriotic Brit. feel about it, the soloists were about as avante garde as I'd listened to at that time - 1968. John Surman, I was convinced, was the world's greatest baritone player and maybe I still am. Mike Osborne, Malcolm Griffiths and Paul Henderson all soloed frenetically yet with meaning. That they were able to incorporate "Flying Home" and "Opus One" into it spoke much about the arranging skills of Westbrook.
In his Jazz Journal review, Steve Voce said, "...Flying Home, for instance, is played with an intensity that makes the Hampton versions sound like teatime with Donald Peers."
Many an afternoon's pubbing with Bill Shaw and Charlie Carmichael was followed by listening to this gem back at my place.
Happy days.
Lance.

2 comments :

  1. A great record - of the early Westbrook albums this sounds like it was the most fun to make and it's certainly the most fun to listen to. Just one correction: I think you meant Paul Rutherford, the much missed trombone titan, rather than "Paul Henderson"; his solo on "Folk Song I" is I believe the first recorded multiphonic trombone solo in jazz.

    ReplyDelete
  2. You are of course correct re Paul Rutherford.
    Perhaps I'm still drunk from those heady days of 40 years ago.
    Thank you for sobering me up!
    The Westbrook band of the time were the young cannibals of the day. Defying tradition yet staying within that tradition by moving the boundaries - if that makes sense.
    Come back soon.

    ReplyDelete

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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