Bebop Spoken There
Howard Riley: “When I started out playing jazz back in the late 50s, early 60s, if you wanted a gig you had to learn some standards.” – (Jazz Journal April 2017)
Eric Harland: “I love swing and I’m always going to swing but I also know that you can take a hip-hop groove and improvise with that just like you would with a swing pattern.” – (Jazz Journal April 2017)
Today Wednesday April 26
Tuesday, March 31, 2009
Monday, March 30, 2009
Saturday, March 28, 2009
Friday, March 27, 2009
Thursday, March 26, 2009
Wednesday, March 25, 2009
Tuesday, March 24, 2009
Monday, March 23, 2009
Sunday, March 22, 2009
Saturday, March 21, 2009
Friday, March 20, 2009
Thursday, March 19, 2009
Wednesday, March 18, 2009
Tuesday, March 17, 2009
Sunday, March 15, 2009
Saturday, March 14, 2009
Friday, March 13, 2009
The function room of a suburban public house was the meeting place for Eastern & Western musical traditions in the form of Free Spirits. Following a triumphant concert performance at the recent London Jazz Festival local jazz fans and interestingly, non - jazz fans, were in attendance for this eagerly anticipated event. The evening began with sitar and tabla establishing the framework for the first of the ragas. The slow tempo encouraged Lewis Watson to enter the proceedings on tenor and ace bassman Neil Harland was right there setting down a funklike feel which he maintained throughout the evening. A series of ragas unfolded with all four musicians reacting to the subtle shifts in emphasis from one or other of the quartet. Bhupinder Singh Chaggar, at times displaying bewildering hand speed, encouraged numerous change of tempi within any one piece. His musical compatriots were quick to respond and at times there was thrilling interplay between two, three or indeed all four musicians.
The second set began with Singh Chaggar and Harland locked in an exchange of rhythmic ideas which, at its conclusion, drew much, fully deserved, applause. A Harland original, written in memory of percussionist Bruce Arthur, brought the quartet together once again. Dharambir Singh dazzled in his improvisation on a scale - Watson took up the challenge - and a flurry of notes went to and fro. The fusion of classical Indian music and jazz worked so well, that, at times, a coherent sound emerged rendering the labelling or categorisation of the music somewhat redundant. Free Spirits - four virtuosi. Free Spirits hope to play another concert in the north east later this year. Watch this space. (Sittar info.)
Thursday, March 12, 2009
Wednesday, March 11, 2009
Tuesday, March 10, 2009
Monday, March 09, 2009
Sunday, March 08, 2009
Saturday, March 07, 2009
Friday, March 06, 2009
Bebop Taught Here - Egglescliffe School Jazz Quartet. An Intermission Riff at the Bonded Warehouse, Sunderland
Thursday, March 05, 2009
Wednesday, March 04, 2009
Tuesday, March 03, 2009
Monday, March 02, 2009
Sunday, March 01, 2009
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About this blog - contact details.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)